Deadpool 2

★★★★☆ 2016’s Deadpool bucked the trend of sanitised superhero schlock with winking humour, copious gore, and f-bombs galore. So how does one follow-up one of the most refreshing blockbusters in recent memory? The answer, evidently, is more profanity, more Troma-esque ultra-violence, more... Continue Reading →


Criterion Review: Metropolitan

★★★★☆ In Manhattan, a circle of wealthy young socialites party, gossip and generally congratulate themselves while the self-styled intellectual Tom (Edward Clements) reluctantly joins the group. Riffing on Noel Coward and Woody Allen, and prefiguring the preppy urban cinema of... Continue Reading →

Avengers: Infinity War

★★★★☆ Ten years, nineteen films and the most audacious experiment in franchise filmmaking ever: the conclusion to Marvel’s grand project has finally arrived. The biggest entry in the studio’s series to date, Avengers: Infinity War is at once exhausting, exhilarating and triumphant.... Continue Reading →


★★★★☆ Loosely based on the ‘Beast of Jersey’ serial killer who terrorised island residents in the 1960s, writer-director Michael Pearce’s feature debut is an ambitious, deliciously dark psychodrama. Bolstered by two star performances, Beast is equal parts modern gothic fairytale and crime... Continue Reading →

Early Hou Hsiao-Hsien: Three Films 1980-1983

★★★★☆ One of the most important filmmakers in Taiwan, Hou Hsiao-Hsien was once lauded as “one of the three directors most crucial to the future of cinema”. This new Masters of Cinema set from Eureka incorporates three of Hou’s early... Continue Reading →

Criterion Review: The Awful Truth

★★★☆☆ Cary Grant will forever be one of Hollywood’s brightest stars. But icons rarely come fully formed, and Leo McCarey’s 1937 film was where Grant’s persona finally coalesced after a string of so-so supporting roles. The latest addition to the... Continue Reading →


★★★★★ A series of brutal killings, happening seemingly at random and by multiple killers, are connected by strange ‘X’ shapes carved into the victims’ chests. The perpetrators are apparently unmotivated and cannot account for their actions. When detective Takabe (Kōji... Continue Reading →

La Cage aux Folles

★★★★☆ Renato (Ugo Tognazzi) and Albin (Michel Serrault) live a glamorous, if tempestuous life as the owner and star of eponymous drag nightclub ‘La Cage Aux Folles’. Later remade as The Bird Cage, this first adaptation of Jean Poiret’s play is... Continue Reading →

Yi Yi

★★★★★ Following a year in the life of a middle-class Taiwanese family, the late Edward Yang’s Yi Yi – his final feature – is a profoundly intimate expression of finding beauty in the everyday and meaning in the mundane. Without showy visuals... Continue Reading →

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